Showing posts with label Guernsey. Show all posts
Showing posts with label Guernsey. Show all posts

Saturday, 20 August 2022

Swimming in the Dark

The flock flew up - We saw them then:
Thousand stars every direction.
We were below - Out in the dark.
Ancient rises beyond the beach
Appeared to move in time with each 
[wave].
Even at distance they were cold.
Bright lights swam up from the seabed 
And we both were carried away.
This quiet - Beneath endless sky.
We floated there
And talked.

Wednesday, 15 June 2022

written for a tweet on a sunny day

you've put on sunshine again

and look your best 

clear halo in bright tops

light in rises catching drops

cooked clean, round here's in a fetching vest

hedge resplendent still

over chirp under trill

this horse manure ditch street 

has us loosing unbound feet

Sunday, 29 August 2021

photos from the agricultural show

These are all 35mm photos that I took on a day when Jo and her dad, Mike, and I went out in St Peter's, Guernsey. It was a pretty good day: a Sunday with good weather when we could do what we wanted. That's a pleasure of course, whether or not you have a quirky event in a field to attend. Said quirky event - namely an agricultural show - featured a lot of old machinery (including a shedload of tractors); all manner of  vintage cars; various animals including shire horses; a beer tent of course; history re-enactors and a lot of other games and inventions. It was fun. I took the pictures with my Nikon F-301, which a friend gave it to me when she moved away, using Fujicolor C200 film. 

a sea mine in a vineyard - nice work if you can get it



a granite wall while we were still walking to the show

Jo and Mike on their way to the show









Jo and Peter

Lloyd by a steamer that was used in greenhouses

the steamer was kept going by a wood fire


Russ from the living history group (in first world war era garb)


Brett












Mr Browning with his tractor from the 70s - he told me some funny stories

Saturday, 28 August 2021

notes for a sentimental poem

walking home under the stars

listening to music from another continent

electric magic I might never comprehend

lyrics in a language I don't know

sung in a voice that makes me want to cry out loud

but the dark road and the endless way

[in leaves underfoot and speckled worlds overhead]

makes silence perfectly preferable 


electric magic I'll never comprehend

flashing roadworks signs

and stillness my only friend

Thursday, 3 December 2020

35mm photos from Pride and live football in Guernsey: September 12th 2020

12th September 2020: it was Pride in Guernsey. Also, FC Isle of Man were on the island and played Guernsey FC at Footes Lane. The match ended 1-1 before the Green Lions won on penalties in front of maybe 900 people, including Roary the Lion. It was the first day of the new Premier League season too. 

Ric and I went and witnessed Pride. He more so than me. I was late after working maybe - two or three months is too long ago to remember. There had been a parade from Candie Gardens into town, I believe. We met in the market, then saw the first half of Leeds-Liverpool at the pub. We walked down to Footes Lane in time for the Guernsey match. Pictures below. All photos are 35mm, shot on a Pentax mz50, using Kodak film.


 
















Monday, 12 October 2020

birds in the spanne

there are birds in the greenhouse - lots
there are flying insects too 
and every square millimetre of earth contains countless microbial beings
it is a rich place and safe
hot airy
the lights crane open
the clouds pass
the birds loose from end to end
the whole spanne: 
lemon flowers, figs and unceasing wings

Monday, 8 April 2019

The Apparition

On the Tuesday a giant seagull appeared out of the mist, borne by three of her kin who were smaller and looked less haughty than she. She was wrapped in a blanket so that her wings were hidden from sight.

She spoke to the people walking the cliffs and said:

"Kah-ka-kah-kah. Frat-frah-fra. Frat. Kah."

But the people assembled there (and quite a crowd was gathering now) did not understand her. Later she was borne back into the mist, carried south by her kin. Since a spell of quite nice weather began from that moment, the people declared that the Seagull Mother had blessed them and blessed the land of Jernezee.

A celebration was held that night. This too was part of the miracle, people said, since ordinarily such expressions of were reserved for planned events. No permits were secured. For instance, permission to congregate in the high street was unsought and of course never granted. And yet the authorities joined in with the merry-making. A police officer danced outside Creaseys. Songs were devised and sung in honour of the Seagull Mother. The party went on late into the night and plans were made for further celebrations, including a yearly Seagull Mother Day.

One week later, once the sunshine and lack of wind had become the norm for everyone and people had begun to resume the duties that had occupied them before the apparition, she appeared once again. This time she could be seen from a distance, which gave people time to assemble properly on the cliffs to meet her.

The crowd was a hundred strong at least. More were on their way. Banners (albeit in English rather than the seagull's own language) were hauled up on sticks. A band of bearded types brought drums that they proceeded to play on, apparently desperate to express their love for the enormous bird.

And then she arrived once again. Again wrapped in a blanket and being carried by her kin. She spoke to the people assembled there and said:

"Trat-trah. Tra-tra-tra-trah. Ka-ka-ka-ka-kah. Trat.".

No one understood. A solemn silence was observed. The Seagull Mother was borne away once again. The spell of really rather nice weather came to an end almost immediately, leaving people wondering how they had upset their deity. 

Wednesday, 25 October 2017

Learn a Poem Challenge - The Lamentations of Damaris by George Métivier


The challenge has gone round at work – 'learn summat! It’s good for you!' (This challenge being part of a campaign to make us fitter, healthier, wiser and more mindful). 

Well, all right then. I will learn something. I’ll even pick something from the list of suggestions. Let’s consider these: “learn how to cook something new”. Daily I slave avail-lessly in an experimental fashion with vegetables and pots and pans trying to make something that approximates to edible matter. I reckon I’ve got that one covered. For the time being. Thank you. Berry much. 

Next: “learn how to fix something” – this I can do. I will do. This I need to do, in fact. 

Come to think of it, I really better get on and fix that bike of mine. With wet weather being so much more common now that winter’s properly in the post winging its way here-wards, the brakes I’ve been meaning to sort properly for a while, well, those are now deadly. And today, out of the blue, the blooming cable for my blinking rear derailleur on my goodness-knows-wonderful bike went and popped off with a pop sound like a pair of trousers splitting on my oversized behind.

I’ll fix that. But I want to learn something else. “learn a poem” says the Health Promotion Unit poster. Perfect! Here goes.

I will memorise and recite part of a Métivier poem (George Métivier: the author of the first Guernsey dictionary, wrote in the local language). I've chosen The Lamnetations of Damaris, which, despite being very specific to the 1820s in this Norman isle, feels timeless for me, as a Guernseyman, especially with its mention of somebody angry at the States knocking something down. Come on. The protagonist/persona of Métivier's poem "bitterly blameth the States" (chés tout-en-travers d'Etats!). It could be set in 2020 for all we know.

Please forgive my reading. Mea culpa, as always. The text, I'll post below. Video pending. Bisous.

 

Lamentations of Damaris

Old Fountain Street's all in a flutter,
Its dwellers are all in a stew,
There is growling from garret to gutter,
That the old must give place to the new!
Damaris harangueth her neighbours,
And bitterly blameth the States,
For enacting such wide demolition
Like aught but beneficent Fates!

Quoth the Dame: "I have lived in my rat-hole,
In quiet, for sixty odd years!
My blessed, old dirty, old attic,
The hearth of my hopes and my fears!
But the poor must submit to the wealthy,
The humble bow down to the grand;
We had better be laid 'neath the daisies,
In the churchyard of Mister Durand!
"It is said that pride preludes destruction,
But we are annoyed all the same;
Yes, Sirs, you may sulk or look smiling,
But I'll say what I think of your game!
To treat an old creature like me, so,
And pull down my crib as it stands,
Whence one can from the third-story window,
With one's opposite neighbour shake hands!

"My father and mother have dwelt there,
Have eaten their soup and their bit,
Have gathered their bairnies about them,
In that blessed old niche where I sit,
Aunt Ann spent her evenings with glee there,
And there, as young bairns, we were nursed,
Yet you harshly drive out the old woman,
Would it were in a coffin, feet first!"


(translation taken from J. Linwood Pitts’ anthology The Patois Poems of the Channel Islands, 1883)


If you'd like more background on the poem, I'd recommend the Priaulx Library's excellent page on it. Additionally, they have this page here on Fountain Street as it existed in 1763. Clearly, Métivier's not the only one to say that the top story windows in opposite buildings on 'old Fountain Street' came so close that residents were able to shake hands from building to building. Seems like those States Works boys were doing the right thing when they brought those homes down to widen the way. Still, Damaris lost her home, so I can see it from her point of view. (enough rambling).

Before reading this poem I didn't know that Damaris is a figure from the Bible, one of Paul's letters to be precise. She was present at one of Paulie's speeches, it says in Acts.

By the way, the text of the poem I have included above is abridged. My video of the poem, which I'm trying and failing (at the moment) to upload here, features an even more abridged version.

from Patois Poems of the Channel Islands



 
Georgie Boy himself



Wednesday, 26 October 2016

Kofi

drafted lyrcis to go with the Guernsey-French tune 'J'ai Perdu ma Faumme'

lost my wife in a coffee cup. lost my love while taking sips from my mug. happened so sudden i spat out half the cup. luckily i've got my servants to clean it up.
they buzz round while i drink from my coffee cup. these girls are like bees on lavender. they form tight circles like muck-drawn flies. no wonder my wife went down the coffee cup.
i took no notice of my cofee cup. drank it softly down and made some rubbish up. would have seen my wife but the mornings, when the coffee's flowing, you get so you're blind with excitement.
lost my head in an aching cough. lost it when the servants came round. fill up my coffee cup. fill it till it spills on the ground.

Monday, 8 September 2014

When You've Spent 13 Hours Watching Animation

When you've spent 13 hours straight watching animation, wherever you go faces rise out of the bushes. Any and everywhere, flames toss the tassells on the dragon's coat. When you've spent 13 hours watching animation and you go about with loud music plugged straight into your head, you get this dizzy sensation that can only really very slightly be blamed on the sun. It should never be like this. Wandering the cliffs is a kind of exercise, where simply the air itself can provide sufficient pleasure to sustain hours of rest. This is rest taken in lung-loads; you rest while seeing the sea and headlands mix. But when you've gone 13 hours seeing nothing but animated films, your mind wanders. Furthermore, when you've spent those 13 hours watching specifically Chinese animated films, their particular brand of magic and folly sustain your thoughts, dipping them. And when dipping your thoughts, these dreams of monkeys and pig-headed warriors dip your thoughts specifically in burning gold and cool them off with spring water that's streamed straight down the mountains. These are all imaginary. Everything's magnificent, but when you've spent 13 hours straight watching Chinese animation and you go straight out for a walk under the lowering sun and the air hits you extremely fresh, all around your earphones, with the music turned up too high, you're risking something: the world swims. There's too much to feel. Money and cars are left behind around prehistoric granite. Forgetting means you begin to live, but after watching Chinese animation for 13 hours straight, the sensation of existing, sudden, along with breaths, can be enough to tip you up and back into the ferns and brambles. The granite's around you with the sea below, so go steady on the cliffs.

More Shit Non-Poetry

A bird just flew into the window/made a quiet little 'boop' sound and immediately turned round and flew away/it cut right through the haze of ideas and sleeplessness and belief/the light and green and light and seeing of the day was all of a sudden/it spun my head round completely/can't imagine what it must have done to the bird/though he seems far less bothered

Tuesday, 29 July 2014

Wearing a St Christopher Pendant, Possibly Like a Fool

My sister gave me a St Christopher. I asked if I could have one. She chose one and it's fine. I have already gotten over its intense shininess and my unfamiliarity with the sensation of wearing what amounts to jewellery around my neck. I am almost never self-conscious about it any more. Forget it's there. But I still have to ask myself why it is there.

I wanted it as an affectation. I don't even know what I believe, or if there even is any point believing anything. Our thoughts on the issue one way or the other are hardly relevant. And even if you do have an opinion, articulating it, even to oneself, seems like an exercise in futility. We could never know anything anyway, not with complete certainty. We have to rely on our own perception, and trust our senses, even, in the belief of people who tend more toward the fantastical, trust some innate, may-as-well-be-make-believe sense, which arises from who-knows-where. Our perception could be some film printed behind the eyes and laid out for us like a poisonous sustenance from birth.

Anything could be possible. There is almost certainly no god. Not in the conventional sense. And almost certainly not in any other sense either. So wearing a bit of metal is pointless also. Yet I like it. It is my St Christopher. I know it has no magic power, but I like the story of a giant man ferrying the needy across a river. The idea of selflessness is definitely worth observing.

But none of those things matter really. It is an affectation. If a character in a movie can wear one, and my life proceeds apparently in as much of a whacked-out mode as any movie, then I feel I can wear one, too. Lying on the grass forever would also be an option. Baking in the sun, devoid of motivation, sweating furiously from action that drives on always trying to speed up the end, that is also an option. I am generally unsure how to face this life.

Yet still, I like my St Christopher. It is my own affectation. My shiny bit of metal. Jewellery round my neck, and I am almost unselfconscious about it, though not quite. Forget it's there, sometimes. I should thank my sister for it.
"I like the St Christopher!"

How to explain the way it makes me feel. In life you don't often get a chance to witter on as if someone is listening. And even when you do get such a chance, unfamiliar nonsense, as if spoken by someone else, comes out. Unless of course some, again alien, inspiration appears from the back of not doing anything at all and you say something you agree with, surprising yourself.

"I like the St Christopher" will have to suffice, but probably won't do the trick.

Saturday, 26 July 2014

133

searching for the truth
among stinking-onion bulbs
hemmed by cass-dry snail shells
and great dry clods
I found it mesmerising
with shifts and collapses
to move-sort the earth

up a tree
I saw assorted colours
and the day
full in all its sunshine
became a picture
before the laughter of a magpie
brought an end

Friday, 25 July 2014

132

I pulled a muscle last night
swimming vigorously
after a day sat and a long walk
the seaweed swamped me
and these murky waters stung in my eyes
you dive down and find freezing zones
where crabs are scared to move
where the pier can be peered at
sunken and waving
the markers that sit up above the waves
rock with every slop of
the atlantic rolling onto our shores
you come up with tentacles round your face

Thursday, 31 January 2013

73


This moment
It’s all silent
But for the wind coming in
And I’m looking back over the bed top
And opening the window just a little bit
And the chimney stack is in silhouette and

The moon bulb
A half face
A two-thirds without clear end
Is glowing brighter than I can see
And there’s nothing else
Except for the blue night
And the ring of brightness on the window pane
Where spots of muck can be seen in white brilliance
And it’s all still and nighty nighty

Wednesday, 30 January 2013

72

These are empty places
Once the mood turns
And in barest winter
There's nothing but a muted sigh
Among the cold patches
Divided by hedges and walls
Where silent spirits hang
They'd be holy when all sunlit
But now
After dark
You're lost in silence

Tuesday, 22 January 2013

69 - A Single Season

These fields might seem contorted
Ranged in sleeping rows
But I'm just a passerby
Mistaken and misled
By brief winter glimpses

These fields go on without me
While I can only hope to see them flush with summer
I'm more temporary than spring
Less lasting than autumn

If I too were immortal
I'd be thoughtful as the mud
I'd chase the wind
And lie still as ice till I was moved

The weather's ruined and reshaped this land
But I'm a passing thing
The twisted pine will go on
Remembering or not

I have a single season
While these fields will pass through the umpteen to come
When your head swims and your legs give way
This is the ground to return to